Getting Past the Wall

Sooner or later every author hits that proverbial wall and gets stuck with their writing. Lately, I've been stuck on a plot and nothing seems to work to get it moving again. The solution? Find something to do that is far from writing so you can go back to it with a fresh look.

I've been workin on a baby afghan and finally got it finished up with another project in mind. There's a new pattern (new to me at least, but the technique isn't new) I've been dying to try out. So last night I got out a pair of knitting needles and a skein of yarn that was only good for practicing on, and I set to work.

(My fictional hero is giving me the silent treatment.)

One thing I don't like about knitting in rows is having to turn the work every time you get to the end of the row. It's especially a pain if you're working with more than one skein because every time you turn the work, the yarns get twisted. I'd heard about a way to purl stitches so you don't have to keep turning your work. It was frustrating at first since I couldn't follow the video (it was on my laptop) and I finally gave up on it. I put the work aside and picked up the book I've been reading. Suddenly I had one of those 'aha' moments and went back to the knitting. The purl stitches were so easy I wondered how I could have been so dim-witted and unable to figure it out earlier. But figure it out I did and managed to get a few rows done.

(In my eyes, said hero isn't looking quite so heroic with his attitude. He's still ignoring me for whatever reason. I can do the same.)

When I was satisfied I had the 'reverse' purl down pat, I turned my attention to the other stitch I wanted to learn. The pattern is called 'entrelac' and looking at the instructional chapter of the book I was using, I was amazed at all the different ways it could be done. I'd only seen it done in knit/purl. It looks something like a basketweave but is done differently. Craft directions don't always make sense to me so I have to read it, one stitch at a time until I see the results.

The sample called for twenty-four stitches but I added on a few more and made it thirty-two. All the better to see how it shapes up. The first directions are for setting up the triangles for the bottom edge. Because of the way it's done it's bunched up and you don't get a really good look but it's enough to know if you've succeeded. The corner triangle was a wee bit more challenging but I had to give myself a pat on the back for getting that done as well. 

Wow!  Two techniques in one night. That's a record for me.

As to the writing... Have I figured out yet what's wrong with the current plot? Nope. The hero's still refusing to say anything. I suppose I can either stand in front of this wall and wait for him to express himself, to discuss his problems.  Or I can ignore it and him in favor of working on something else entirely.

All I can say is, he'd better start talking soon or he's going to find himself being replaced by a more co-operative hero.